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A Place of One’s Own - film review
Lou Yi-an’s debut feature is a black comedy about the search for home, whether in this world or the next
Tsunami
The timing is unfortunate, or perhaps fortunate from the distributor’s point of view, but this first-ever South Korean disaster epic was scheduled for release before the Samoan tsunami occurred. So audiences can watch this odd mixture of Irwin Allen and Korean character ensemble with a clear-ish conscience. An ensemble of wave fodder — including the obligatory character with a tragic past — take up a good part of the running time before Mother Nature sends one crashing home. From Yun Je-gyun, the formerly lowbrow director of Sex Is Zero and Crazy Assassins. Korean title: Haeundae, which is where the movie is set.
Time Lost, Time Found
As heartrending plots go, this one rends with the best of them. A Japanese first-time mother-to-be in her late 30s is diagnosed with cancer and must make the impossible choice of starting treatment and losing her baby or keeping the child and likely condemning herself to the grave. Expect bawling audiences with this one (i.e., the same people that went to see terminal illness weepie April Bride last month), but if you don’t want to know the ending, for goodness’ sake don’t look at the poster. Features a song called Get a Life ~Again~. If only Takashi Miike had been the director ...
The timing is unfortunate, or perhaps fortunate from the distributor’s point of view, but this first-ever South Korean disaster epic was scheduled for release before the Samoan tsunami occurred. So audiences can watch this odd mixture of Irwin Allen and Korean character ensemble with a clear-ish conscience. An ensemble of wave fodder — including the obligatory character with a tragic past — take up a good part of the running time before Mother Nature sends one crashing home. From Yun Je-gyun, the formerly lowbrow director of Sex Is Zero and Crazy Assassins. Korean title: Haeundae, which is where the movie is set.
Time Lost, Time Found
As heartrending plots go, this one rends with the best of them. A Japanese first-time mother-to-be in her late 30s is diagnosed with cancer and must make the impossible choice of starting treatment and losing her baby or keeping the child and likely condemning herself to the grave. Expect bawling audiences with this one (i.e., the same people that went to see terminal illness weepie April Bride last month), but if you don’t want to know the ending, for goodness’ sake don’t look at the poster. Features a song called Get a Life ~Again~. If only Takashi Miike had been the director ...
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