Andy On plays the villain possessed by the devil
Guo Xiaodong first time doing martial arts - grades out an '80'
Michelle Yeoh plays a hermit in seclusion living in the mountain
Xiao Shenyang (Sina)
THR: 'Blood Simple' remake set for December
CRI: "Ip Man 2" Shifts Focus to Life
He Ping's Wheat accused of plagiarising The Robbers/Tang Dynasty Brothers. He Ping was chairman of the jury at the 2007 Shanghai International Film Festival when The Robbers was awarded as having the most market potential. He Ping and director Yang Peng had discussed the script, Bitter Bamboo Grove, at the time. (Sina)
Wang Kuirong in Wang Xiaoshuai's Mosaic tries to capture old Chongqing (Sina)
Hot pot scene with 100 extras
The action star celebrates his 100th film
It's been a long time between drinks for Singapore helmer Glen Goei, whose 1999 debut pic, "Forever Fever," a contagious local riff on "Saturday Night Fever," promised to expand the island republic's filmmaking horizons beyond local comedies and festival navel-gazers.
Though the least "Hong Kong" of the series -- with the usual local in-jokes and linguistic wordplay virtually absent -- this is the most marketable of the four to date, as well as a timely commentary on the onetime Brit colony's cultural relationship with the mainland.
Taipei Times: History repeats itself as farce
Yonfan’s overly self-conscious ‘Prince of Tears’ treats the White Terror period with a glib sentimentality that can best be described as political terror as soap opera
Old Fish (千鈞一髮)
An unusual Chinese police drama, to say the least. A Harbin cop is forced — and able — to defuse a time bomb thanks to his engineering background, only to find that more and more explosives are being planted in the area, and his superiors want him to keep doing the dirty work. Is Dennis Hopper on the loose? Ma Guowei (馬國偉) plays “Old Fish,” the put-upon policeman, in an award-winning turn. Directed by Gao Qunshu (高群書), who co-directed The Message (風聲), which is currently on release.
Plastic City (蕩寇)
A Chinese crook (Anthony Wong, 黃秋生) and his cooler-than-cool adopted Japanese son struggle to keep their enterprise afloat in Sao Paulo, Brazil, when rivals and the authorities turn on them, including a Taiwanese entrepreneur. Critics said the fascinating idea behind the film and its visual distinctiveness were undercut by avoidable technical problems (dubbing, for starters) and a stereotypically art house divergence from coherent narrative — not to mention stylistic lapses that verge on the silly.
Vengeance (復仇)
Johnnie To (杜琪峰) is a Hong Kong director who has kept pumping out solid action flicks over the years. He probably doesn’t have as much international exposure as he should, but this film may help to change that. The lead actor is legendary French singer Johnny Hallyday, who arrives in Macau after his daughter is nearly killed in a triad hit (the rest of her family is wiped out). Hallyday, now a chef, must draw on his unsavory past to accomplish his vengeful mission — but that past is disappearing as an old injury accelerates his amnesia. Co-stars include the formidable Anthony Wong (黃秋生) as a criminal (again) and Simon Yam (任達華) as a triad boss.
Screen Daily: Far East festivals compete for market attention
US and European buyers were scarce at both events. “There were some US companies in Tokyo but they were looking for remake material, not doing acquisitions,” says Tadayuki Okubo of Japanese studio Toei.
An unusual Chinese police drama, to say the least. A Harbin cop is forced — and able — to defuse a time bomb thanks to his engineering background, only to find that more and more explosives are being planted in the area, and his superiors want him to keep doing the dirty work. Is Dennis Hopper on the loose? Ma Guowei (馬國偉) plays “Old Fish,” the put-upon policeman, in an award-winning turn. Directed by Gao Qunshu (高群書), who co-directed The Message (風聲), which is currently on release.
Plastic City (蕩寇)
A Chinese crook (Anthony Wong, 黃秋生) and his cooler-than-cool adopted Japanese son struggle to keep their enterprise afloat in Sao Paulo, Brazil, when rivals and the authorities turn on them, including a Taiwanese entrepreneur. Critics said the fascinating idea behind the film and its visual distinctiveness were undercut by avoidable technical problems (dubbing, for starters) and a stereotypically art house divergence from coherent narrative — not to mention stylistic lapses that verge on the silly.
Vengeance (復仇)
Johnnie To (杜琪峰) is a Hong Kong director who has kept pumping out solid action flicks over the years. He probably doesn’t have as much international exposure as he should, but this film may help to change that. The lead actor is legendary French singer Johnny Hallyday, who arrives in Macau after his daughter is nearly killed in a triad hit (the rest of her family is wiped out). Hallyday, now a chef, must draw on his unsavory past to accomplish his vengeful mission — but that past is disappearing as an old injury accelerates his amnesia. Co-stars include the formidable Anthony Wong (黃秋生) as a criminal (again) and Simon Yam (任達華) as a triad boss.
Screen Daily: Far East festivals compete for market attention
US and European buyers were scarce at both events. “There were some US companies in Tokyo but they were looking for remake material, not doing acquisitions,” says Tadayuki Okubo of Japanese studio Toei.
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